![]() cover design: Richard Eckersley |
Diane Neumaier, ed. Reframings: New American Feminist Photographies Philadelphia: Temple University Press, 1996. From the Publisher: Concern about how women are represented, despite varied and often conflicting conceptions of feminism, is the underlying force in this collection. Eight critical essays grounded in feminist analysis explore the different issues that arise in these artists' visual representations, including social space, family life, child care, work, food, romance, sexuality, advertising, and consumer culture. They are feminist critics looking at feminist art, an act Diane Neumaier argues happens all too rarely as feminist critics have in the past busied themselves with critiquing dominant culture. Together these artworks and essays explore the dynamics of visual images and ideology, including expressions and interpretations of autobiographical photographic projects, self-representation of women's bodies, conflicting identities, and the relationship between photographer and photographed. Contents: Foreword Anne Wilkes Tucker (1) Gendering Space Artworks: "Recent Public Works" Barbara Kruger from African American Spirit Marilyn Nance from WWII American and Soviet Women Pilots Anne Noggle from Making the Most of Your Backyard: The Story Behind an Ideal Beauty Kaucyila Brooke Voyeurism and Its Discontents Sherry Millner Is This How I Look? Carol Simon Rosenblatt Essay: "Undertones: Ten Cultural Landscapes" Lucy R. Lippard |
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(2) Domestic Production/Reproduction/Resistance Artworks: from between the birthdays Linda Brooks from The Family Tapes Gail S. Rebhan from Live and Let Die Nancy Barton from Reframing the Past Clarissa Sligh from Archiving Abuse Susan Meiselas from It's All There in Black and White S.A. Bachman Essay: "Women's Stories/Women's Photobiographies" Deborah Willis (3) Identity Formations Artworks: from Valley Girls: The Construction of Feminine Identity in Consumer Culture Sarah Hart from A Legacy of Restraint Leigh Kane from Decide Who You Are Adrian Piper Three Works Lorna Simpson Hard Glance: Asian American Image and Identity Diane Tani Essay: "As In Her Vision: Native American Women Photographers" Theresa Harlan (4) Postcolonial Legacies Artworks: from Bringing the War Home: House Beautiful Martha Rosler Type/Cast: (not the typical) portrait of a revolutionary Esther Parada deColonization Yong Soon Min from Native Programming Hulleah Tsinhnahjinnie Two Installations Pat Ward Williams Essay: "ODELLA/Carlota" Julia Ballerini (5) Rationalizing and Realizing the Body Artworks: Untitled Pinhole Photographs Martha Casanave from Claiming the Gaze Linn Underhill from The Global Face of AIDS: Photographs of Women Ann Meredith from Untitled Heads Jin Lee from How To Read Character Carla Williams from X-Rayed (Altered) Dorit Cypis Essay: "A Meditation on Bearing/Baring the Body" Moira Roth |
(6) Sex and Anxiety Artworks: from The DeSublimation of Romance Connie Hatch Untitled from Kitchen Table Series Carrie Mae Weems from Tremors from the Faultline Tamarra Kaida Untitled Cindy Sherman from Dear Shirley Hinda Schuman from The Other Side Nan Goldin Essay: "This Is Not a Fairy Tale: A Middle-aged Female Pervert (White) in the Era of Multiculturalism" Catherine Lord (7) Crossing Over: Reimagining and Reimaging Artworks: from Latina Lesbians Linda Aguilar Justice on TV, from A Guide to the Wasteland Margaret Stratton from Earthman Series Cam Little Turtle from Being and Having Catherine Opie from Aboutface Coreen Simpson Essay: "Turning the Tables: Three Asian American Artists" Valerie Soe (8) Rerepresenting Representation Artworks: Ancient History/Recent History Ann Fessler from Contemplation of the Journey Home Betty Lee The Management of Desire Deborah Bright from Metropolitan Tits Diane Neumaier from Theatres of Madness Susan Jahoda from Corpus Mary Kelly Essay: "Representing Women: The Politics of Self-Representation" Abigail Solomon-Godeau |