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race and the landscape (collaboration with deirdre visser) (2005 - present)
other people's clothes (2005) all the women in my family (2004) 1990-2004 (2004) rhetoric (2001) mother and daughter (2000) pathology (1999) searching for memories (1995) self-portraits (1992 - 1997) how to read character (1990-1991) self-portraits (1986 - 1991) self-portraits (before 1986) All images © Carla Williams. All Rights Reserved. Brandes, Kerstin. "Re-Considering Saartjie Baartman: Configurations of the 'Hottentot Venus' in Contemporary Cultural Discourse, Politics, and Art," in Helene von Oldenburg and Andrea Sick, editors, Virtual Minds. Congress of Fictitious Figures. Bremen (thealit) 2004, 4055. ISBN 3-930924-05-6 Brandes, Kerstin. "'What you lookn at' - Fotografie und die Spuren des Spiegel(n)s." in Susanne von Falkenhausen et al. (Eds.): Medien der Kunst. Geschlecht, Metapher, Code. Marburg (Jonas) 2004, 148-163. ISBN 3-89445-337-0 Charles Guice. "Reflections in Black," B&W Magazine 28 (December 2003), 54-65. Janell Hobson. "The 'Batty' Politic: Toward an Aesthetic of the Black Female Body," Hypatia 18:4 (October 2003). Lisa Gail Collins.The Art of History: African American Women Artists Engage the Past, New Brunswick, New Jersey: Rutgers University Press, 2002.
 The New Yorker, Winter Fiction Issue, December 28, 1998 and January 4, 1999.
 "Historic Retrievals: Confronting Visual Evidence and the Documentation of Truth," Lisa Gail Collins, Chicago Art Journal, volume 8, number 1, Spring 1998.
 Our Grandmothers: Loving Portraits by 74 Granddaughters, Linda Sunshine, ed., New York: Stewart, Tabori & Chang, Spring 1998.
 Contact Sheet 94, Light Work, Syracuse, New York. 1998.
 25 and Under/Photographers, edited by Alice Rose George, The Center for Documentary Studies and W.W. Norton & Co.: New York, 1996.  Golden Light Award Book of Merit, Maine Photographic Workshops, 1996.
 Reframings: New American Feminist Photographies, edited by Diane Neumaier, Temple University Press: Philadelphia, 1996.
"Double Exposure: African Americans Before and Behind the Camera," Museum of the African Diaspora 06.19 - 09.28.2008 "Black Womanhood: Images, Icons, and Ideologies of the African Body," Hood Museum of Art 04.01 - 08.10.2008 "Land Rits: Land at the Confluence of Human Cultures," Northlight Gallery, Arizona State University 02.18 - 04.05.2008 "Image and Identity," Southeast Museum of Photography 03.01 - 05.23.2008 "Blacks In and Out of the Box," California African American Museum 09.13 - 12.30.2007 "Double Exposure: African Americans Before and Behind the Camera," Wadsworth Atheneum 01.14 - 06.19.2006 "Here and Now," de Saisset Museum, Santa Clara University 05 - 07 2005 "Subject to Oneself:" A Group Exhibition of Self-Portraiture, Playspace, California College of the Arts, San Francisco, 21 September 21 - 7 October 2004 "99 Square Pegs," Ladyfest*East digital slide show, New York, 2 June 2004 "The African Effect: Kara Walker and Carla Williams," Center for Contemporary Arts, Santa Fe, New Mexico 26 March–23 April 2004 "Disclosures," Calvin College, Grand Rapids, Michigan February 15 - March 16, 2001
 National Juried and Invitational Exhibition, National Black Arts Festival, Georgia State University Art Gallery, Atlanta, Georgia, 1998
"25 and Under," traveling exhibition organized by the Center for Documentary Studies and Doubletake Magazine
Washington State University Richland, Washington 1998 Duke University Durham, North Carolina 1997 Parsons School of Design New York, New York 1996-1997 "Alternatives '98," guest curator Clarissa Sligh, Ohio University, Athens, Ohio February 1998
"Contemporary Women Photographers," University Art Museum, University of New Mexico Albuquerque, New Mexico 1991
University Art Museum, University of New Mexico at Albuquerque The Art Museum , Princeton University Light Work, Syracuse, New York |
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"Treatment: Women's Bodies in Medical Science and Art
"African American Women Photographers
"Of Pride and Pain: Photographs by Christian Walker, Deborah Willis, and Carla Williams
"LACPS Annual Exhibition," Los Angeles Center for Photographic Studies at USC Lindhurst Gallery Los Angeles, California June - July 1992
"How To Read Character,"
"National Exposures 90," 
"National Aperture 3," Sawtooth Building Galleries Winston-Salem, North Carolina March - April 1988